![]() ![]() Indeed, print books are now so interpenetrated with digital media at every stage of their production that they may more appropriately be considered an output form of digital texts than a separate medium. The epochal shift from print to digital texts has been under way for some time. This notion acts as a hinge that articulates Freud's and Lacan's psychoanalysis and Foer's literature in order to advance the proposition of an equation that relates the process of cutting for reading and the art of listening in psychoanalysis.Īny analysis of reading today must consider contemporary writing practices. In this article, we call Tree of codes a book-sculpture-object-work-of-art, as it allowed us to propose and circumvent the notion of poetic of extraction. By cutting out ninety percent of Schulz's work, Foer reached a hard to classify result. ![]() ![]() Foer is also the author of Tree of Codes, regarded by literary critics as an impossible book, the outcome of a cutting, digging and extraction process done to the compilation of short stories The Street of Crocodiles, by Polish writer Bruno Schulz. This article discusses the specificity of psychoanalytic listening in clinical practice stemming from issues raised by the work of young North-American writer Jonathan Safran Foer, awarded for the novels Extremely Loud & Incredibly Close and Everything is Illuminated. ![]()
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